Sports Writing
Sports writing used to be a straightforward and fairly
respectable occupation. Sportswriters covered the games and events, wrote
occasional encomia to the great players, usually left athletes’ personal lives alone except
for public scandals and sob stories about players visiting sick kids, and
generally had enough sense to know that the events they were covering were
games presented for the amusement and entertainment of the public and not the destruction
of the Hindenburg or the discovery of penicillin. While the trade certainly had
its hacks, ignoramuses, and shamelessly heavy handed homers, many sportswriters
were good and entertaining reporters,
and some, such Blackie Sherrod, were among the best and most thoughtful
writers in any area of journalism.
Things changed a few decades ago with the coming of so
called socially significant reporting in sports. In principle this meant that
in place of crusty old sportswriters who wrote mainly about sports we would
have sensitive, socially aware sports journalists who would treat athletes and
sporting events in the light of and as metaphors for a wider and deeply
meaningful social and political context. In practice it meant that the American
sports fans were treated to some of the most grandiose, self absorbed nonsense
appearing in print or over the air anywhere, offered up by poseurs who strained to explain that
sports (and thus those who reported on sports) were something far more
important than mere games. The epigones
of Damon Runyon were supplanted by the epigones of Howard Cosell.
The new fashion quickly developed its own characteristics, rules,
forms, and clichés. Readers usually could expect journalists to display
their depth and significance by a tendency to inject themselves and their
feelings into the stories they were covering, an icky emotionalism that would
have embarrassed an old fashioned sob sister, an unwavering devotion to the politically
correct prejudices of the day, a dutiful
reverence for all things hip and urban, a snarky disdain for the lifestyles of
most ordinary Americans, an almost morbid fascination with race, and an uncontrolled
penchant for hyperbole and sweeping social generalization.
People looking for an exemplary embodiment of this school of
sports journalism can find one in Jane Leavy’s biography of Mickey Mantle. (The book is also a well researched and well
written biography apart from all the socially significant nonsense.) The title
itself – The Last Boy Mickey Mantle and the End of America’s Childhood –
proclaims that this book is no mere presentation of the life history of a guy
who played baseball but rather some really big time, serious and significant
stuff. The rest of the book lives up to that beginning ,and touches most of the
expected bases. We are told that with his blond hair and winning smile Mantle
served as “an unwitting antidote to the darkness and danger embodied in that
other Fifties icon, Elvis Presley”, that he was the “Last Boy in the last
decade ruled by boys”, and that Mantle’s
story is everyone’s story of a nation’s transition from
innocence to cynicism. The author
repeatedly injects herself and her feelings into her story, including a narrative
of a fifty year old Mantle’s drunken sexual advances to her. She gives us the
obligatory moralizing over race in the form of fretting over whether Willie Mays was denied
his due of affection and respect from fans because he was black and the
obligatory linking of the end of Mantle’s career in 1968 to the assassinations of the same year. She displays an ongoing, pervasive condescension toward both
of Mantle’s rural Oklahoma background and his later home in Dallas. The tone of the book is best summarized by a remarkable quote about the 1964 World
Series, a quote which could have come from a particularly wickedly clever
parody of the genre of socially significant sports writing. “The Cardinals
lineup, with Curt Flood and Lou Brock in the outfield, showcased the future of
America – young, black, ethnic, fast.” That’s
hard to top, but the author comes close to matching it in a number of places.
So do the writers and talking heads in much of the sports
media these days. It would be nice to see an end to the reign of significance,
but I don’t think that is the way to bet.
Labels: media, Mickey Mantle, pomposity, Sports
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